This twist reminds me of Get Out’s twist in a lot of ways: there’s that one “good” character that we trust even though they’re connected to the villains, only to be proven wrong and feel utterly betrayed (just like the main character). It serves to reinforce the movie’s theme about even “nice guys” often being complicit in sexual assault, if not actively perpetrating it, and men excusing each other’s behavior while failing to take accountability for their own role in enabling it (Get Out says something similar about even “progressive” white people being complicit in racism, or even actively participating
Our publication features several staff writers, allowing us to report on different events and offer expert perspectives across various subjects.
